Categories
3: Contemporary Animation Inspiration - related posts In Process Inspiration: 15 contemporary animators

David Lynch

Six Figures Getting Sick (Six Times)[edit]

Main article: Six Men Getting Sick (Six Times)

Six Men Getting Sick (Six Times) (1966). Originally untitled, “Six Men Getting Sick” is a one-minute color animated film that consists of six loops shown on a sculptured screen of three human-shaped figures (based on casts of Lynch’s own head as done by Jack Fisk) that intentionally distorted the film[1]. Lynch’s animation depicted six people getting sick: their stomachs grew and their heads would catch fire.

Lynch made this film during his second year at the Pennsylvania Academy of Fine Art. The school held an experimental painting and sculpture exhibit every year and Lynch entered his work in the Spring of 1966. The animated film was shown on “an Erector-set rig on top of the projector so that it would take the finished film through the projector, way up to the ceiling and then back down, so the film would keep going continuously in a loop. And then I hung the sculptured screen and moved the projector back till just what I wanted was on the screen and the rest fell back far enough to disappear” (Chris Rodley, editor of Lynch on Lynch). Lynch showed the whole thing with the sound of a siren as accompaniment. The film cost $200 and was not intended to have any successors. It was merely an experiment on Lynch’s part because he wanted to see his paintings move.

The Alphabet

The Alphabet (1968) combines animation and live action and goes for four minutes. It has a simple narrative structure relating a symbolically rendered expression of a fear of learning. The idea for The Alphabet came from Lynch’s wife, Peggy Lentz, a painter whose niece, according to Lynch in Chris Rodley’s Lynch on Lynch book, “was having a bad dream one night and was saying the alphabet in her sleep in a tormented way. So that’s sort of what started The Alphabet going.” Based on the merits of this short film, Lynch was awarded an American Film Institute production grant and became a minor celebrity.

Ghost of Love
Moby ‘Shot in the Back of the Head’
I touch a Red Button Man
Six Figures Getting Sick 1966
The Grandmother (1970, 33 minutes).

The short film combines live action and animation. The story revolves around a boy who grows a grandmother to escape neglect and abuse from his parents. It is mostly silent with only occasional vocal outbursts of gibberish and soundtrack cues used to convey story.

The music in the film was provided by a local group known as Tractor, and marked the first time Lynch would work with Alan Splet, who was recommended to the filmmaker by the soundman of The Alphabet. Initially, Lynch and Splet intended to use a collection of sound effects records for the film, but after going through them all they found that none of them were useful. So, Lynch and Splet took sixty-three days to make and record their own sound effects.

The Cowboy and the Frenchman (1988, 26 minutes)

Slapstick, made for French television as part of the series The French as Seen by… by French magazine Figaro. It stars Harry Dean Stanton, Frederic Golchan and Jack Nance.

Lumière: Premonitions Following an Evil Deed (1996, 52 seconds)

Originally included as a segment in the 1995 film Lumière et compagnie. Forty acclaimed directors created works using the original Cinematographe invented by the Lumière brothers.

Categories
3: Contemporary Animation Inspiration - related posts In Process Inspiration: 15 contemporary animators Physical media

Ryan Larkin

Ryan Larkin (July 31, 1943 – February 14, 2007) was a Canadian animatorartist, and sculptor who rose to fame with the psychedelic Oscar-nominated short Walking (1968) and the acclaimed Street Musique (1972). He was the subject of the Oscar-winning film Ryan.

Larkin had idolized his older brother, Ronald, whom he described as “the epitome of cool”.[1] In 1958, at the age of fifteen, Larkin witnessed his brother die in a boating accident and, because he had never learned to swim, was unable to save him.[1] Larkin stated that his brother’s death deeply scarred him.[1]

Larkin attended the Art School of the Montreal Museum of Fine Arts where he studied under Arthur Lismer (a member of the Group of Seven) before starting to work at the National Film Board of Canada in 1962.[1]

Larkin was bisexual, having had sexual and romantic relationships with both women and men during his lifetime.

At the National Film Board of Canada (NFB), Larkin learned animation techniques from the ground-breaking and award-winning animator Norman McLaren. He made two acclaimed short animated films, Syrinx (1965) and Cityscape (1966), before going on to create Walking (1969). Walking was nominated for an Academy Award in 1970 in the category Best Short Subject, Cartoon, but lost to It’s Tough to Be a Bird by director Ward KimballSyrinx won many international awards.[1] He went on to direct the award-winning short Street Musique, which premiered in 1972 and would be the last of his works, finished during his lifetime.

He also contributed art work and animation effects to NFB films including the 1974 feature Running Time, directed by Mort Ransen, in which Larkin also played three bit parts.

In 1975, the NFB commissioned Larkin to create a mural for the entrance foyer at its Montreal headquarters.[1][3] He delivered a piece featuring an adolescent boy with an erection, which the NFB removed from viewing.[3]

Larkin left the NFB in 1978.

Ryan, the film[edit]

In later years Larkin was plagued by a downward spiral of drug abusealcoholism and homelessness. By this time estranged from his parents, he had developed a routine of spending his nights at the Old Brewery Mission, and his days panhandling at Schwartz’s, eating at Mondo Frites, drinking beer at the Copacabana bar, or reading a book in the lounge at Welch’s used book store.[1] Towards the end of his life, he found himself back in the limelight when a 14-minute computer-animated documentary on his life, Ryan, by Canadian animator Chris Landreth, won the Academy Award for Animated Short Film and screened to acclaim at film festivals throughout the world. Alter Egos (2004), directed by Laurence Green, is a documentary about the making of Ryan that includes interviews with both Larkin and Chris Landreth as well as with various people who knew Larkin at the peak of his own success.[4]

Later work[edit]

As of 2002, Larkin had been working with composer Laurie Gordon of the band Chiwawa on a new animated film entitled Spare Change, his first auteur film since working at the NFB. Together they founded Spare Change Productions and sought funding for the film through Gordon’s production company MusiVision. They received grants from Bravo!FACT, the Canada Council for the Arts and the Conseil des arts et des lettres du Québec and SODEC but were still short of financing. MusiVision and the National Film Board of Canada went into co-production only after Larkin’s death. Spare Change premiered at the Festival du Nouveau Cinema on October 9, 2008. Spare Change features three CHIWAWA tunes for which Larkin created storyboards and animation, including Do It For Me from the 2005 release Bright. A new CHIWAWA album Bus Stop Chinese Buffet will include tracks from Spare Change including Overcast Skies whose lyrics were penned by Larkin, and part of a group of Larkin poems – Beat Poems For Grandkids.[5]

MusiVision also produced the documentary film Ryan’s Renaissance for CTV Television about Ryan’s final years, his return to creating art, and Spare Change. It was produced by Gordon and Nicola Zavaglia.[6] Larkin, who had panhandled outside Montreal Schwartz’s deli, appeared briefly in a documentary on the famous restaurant, Chez Schwartz, directed by Garry Beitel [7]

In December 2006, Larkin created three five-second bumpers for MTV in Canada, a preview to Spare Change. Each frame was hand-drawn. It was the first professional work he had executed in over 20 years.[8] Larkin said that he had given up some bad habits, including drinking, in order to better focus on his animating career.[9]

Death[edit]

Larkin died in Saint-Hyacinthe, Quebec on February 14, 2007 from lung cancer which had spread to his brain.[10]

Categories
0: Zemni Animation: related posts 2DFrameByFrame 3: Contemporary Animation Inspiration - related posts In Process Inspiration 4: The Airplane, Pakistan Inspiration: 15 contemporary animators Physical media

William Kentridge

William Kentridge (born 28 April 1955) is a South African artist best known for his prints, drawings, and animated films. These are constructed by filming a drawing, making erasures and changes, and filming it again. He continues this process meticulously, giving each change to the drawing a quarter of a second to two seconds’ screen time. A single drawing will be altered and filmed this way until the end of a scene. These palimpsest-like drawings are later displayed along with the films as finished pieces of art.

See more information on Tate Gallery website

Animator William Kentridge animates with charcoal on paper, leaving traces of
each drawing behind as the movement progresses. These traces lend a depth to
the image as well as the time of the animation. They also serve a narrative
purpose. Kentridge’s early animations were copied from early Soviet films, placed
in the Apartheid, South African context. Apartheid was a system predicated on
the exploitation of black South African labour in the interests of white South
African society. Kentridge uses his animation to express his feelings of guilt for
being a white male with inherited wealth and status as well as his personal
fantasies of acceptance and forgiveness. The layered shadows of previous
drawings that haunt his animations are ghostly reminders of the time that each
drawing took to make. Animation here serves as a kind of penance.

Working process

Examples of charcoal animation

Evocative charcoal drawings of Johannesburg. Has detailed historical overview, but the images could speak for themselves.

See also performance from Whitechapel Gallery

Categories
2DFrameByFrame 3: Contemporary Animation Inspiration - related posts In Process Inspiration: 15 contemporary animators

Andreas Hykade

Categories
0: Zemni Animation: related posts 2DFrameByFrame 3: Contemporary Animation Inspiration - related posts In Process Inspiration 3: PigTales, India Inspiration: 15 contemporary animators Physical media Rotoscoping

Jonathon Hodgson

Jonathan Hodgson is an internationally renowned animation director based in London, he has twice won BAFTAs for Best Short British Animation in 2000 and 2019. He studied animation at Liverpool Polytechnic and the Royal College of Art. After spending 25 years directing commercials he moved to academia, setting up and leading the Animation degree at Middlesex University where he combines teaching with making personal films. He is the animation director of Wonderland: The Trouble with Love and Sex, the first full length animated documentary on British TV. 

Categories
2DFrameByFrame 3: Contemporary Animation Inspiration - related posts Inspiration: 15 contemporary animators Rotoscoping Stop Motion CutOut/Puppet

Yoni Goodman

You Tube comments are interesting.
First prize winner of 2010 Maratoon competition. The goal of the competition was to create an animation short in 5 days using the words “gong”, “tail” and “extortion”

Goodman began his career as an illustrator and graphic designer, working for two of Israel’s major newspapers, Maariv and Haaretz. In 1998, he studied at the department of visual communication in Bezalel Academy of Arts and Design, Jerusalem, majoring in animation. After his graduation in 2002, Yoni worked as a freelance animator and illustrator, working on commercials, short films and clips, as well as teaching animation in the Bezalel Academy of Arts and Design.

In 2004, Yoni worked as an animation director for Ari Folman‘s documentary series The material that love is made of. Folman and Goodman’s collaboration continued with Yoni as an animation director in Ari Folman’s acclaimed film Waltz with Bashir. Goodman also developed the Adobe Flash Cutout technique for the film.

In 2009, he made several short films for human rights organizations, notably the short film Closed Zone, protesting against the Gaza blockade.[1][2] Yoni also worked as an animation director in the short film The Gift,[3] directed by Ari Mark.

In 2011 Yoni began his work as Animation Director for Ari Folman’s feature The Congress (2013), based on a novel by Stanislaw Lem.

He also collaborated on a Global Health Media project about Healthcare literacy, notably on[4]

Yoni Goodman currently lives in Israel with his wife and 3 children.

Filmography[edit]

  • Waltz with Bashir (2008, animation director)
  • Closed Zone (2009, director)
  • The Gift (2010, animator)(short film)
  • “The Story of Cholera” (2011, director)(short film)
  • The Congress (2013)
  • “The Story of Ebola”
  • “The Story of Coronavirus”
Categories
0: Zemni Animation: related posts 3: Contemporary Animation Inspiration - related posts In Process Inspiration 4: The Airplane, Pakistan Inspiration: 15 contemporary animators Physical media

Catherine Anyango Grunewald

“I am interested in how the materiality of an image can support its
meaning, the tearing or disintegration of paper and marks alluding to
the criminal and emotional disruption of public space. The police
violence in America is happening almost too fast to comprehend and
almost certainly too fast to document. In a series that started with the
death of Trayvon Martin in 2012, I have been documenting the last
image in the victims of police shootings lives. In this film the drawn
footage is worked and reworked until the figures merge with the
landscape and the paper is destroyed. There is a sense of burning,
referencing lynching and also foreshadowing the subsequent riots.”

Catherine Anyango Grünewald, Live, Moments Ago (The Death of Mike Brown) (n.d)
catherine-anyango.com.

http://catherine-anyango.com/

https://www.royaldrawingschool.org/lectures-events/catherine-anyango-grunewald/